<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-400443157999993621</id><updated>2011-07-28T21:18:19.850-07:00</updated><title type='text'>VocaLife</title><subtitle type='html'>Singing and Lifelong Community Health in Japan and the Nordic/Baltic Region</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://vocalife.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/400443157999993621/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://vocalife.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Sociomusicology</name><uri>http://www.blogger.com/profile/09408859984544549259</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://3.bp.blogspot.com/_JaIF83-Q300/S1Zecbcd_6I/AAAAAAAAAHs/TrQtyh42KZQ/s1600-R/David.Hebert_Siba.90582.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-400443157999993621.post-5437715075596811421</id><published>2009-10-22T01:29:00.000-07:00</published><updated>2010-01-26T10:32:30.353-08:00</updated><title type='text'>The VocaLife Vision</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;br /&gt;VocaLife is envisioned as a stream of international-comparative research projects on singing and lifelong community health in &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt; and the Nordic/Baltic region of &lt;st1:place st="on"&gt;Europe&lt;/st1:place&gt;.&lt;br /&gt;&lt;br /&gt;VocaLife is collaboratively led by Professor David G. Hebert (&lt;st1:city st="on"&gt;Sibelius  Academy&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;Finland&lt;/st1:country-region&gt;) and Professor Masafumi Ogawa (&lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Yokohama   National University&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt;&lt;/st1:place&gt;).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="color: rgb(0, 102, 0);"&gt;&lt;i style="font-weight: bold;"&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;Phase 1&lt;/span&gt;&lt;/i&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt; of VocaLife&lt;/span&gt; is a comparison of choral singing in contemporary Japanese and Finnish societies. Later phases of VocaLife will expand the scope of inquiry to also consider other European nations, such as &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Estonia&lt;/st1:place&gt;&lt;/st1:country-region&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;Rationale:&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;Singing is widely recognized by psychological and medical researchers as a uniquely effective activity for stress-reduction and general mental health, and is also acknowledged by sociologists and anthropologists to be a universally meaningful practice in terms of both social integration and construction of cultural meanings. However, in contemporary industrialized consumer societies, music has increasingly become an object that is passively consumed rather than actively produced by amateurs, and in recent generations singing has gradually disappeared from the regular activities of most people. Meanwhile, social problems have proliferated, ranging from a general alienation of the aging population to even high-profile acts of mass violence among adolescents in schools. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;We propose that a careful investigation of the situation in &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt; and &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Finland&lt;/st1:place&gt;&lt;/st1:country-region&gt; will lead to important insights. &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Japan&lt;/st1:place&gt;&lt;/st1:country-region&gt; is highly significant in this field as home to some of the world's largest national choir competitions and festivals and popular televised singing events, as well as the origin of karaoke and related amateur vocal activities. &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Finland&lt;/st1:place&gt;&lt;/st1:country-region&gt; is also internationally significant as the home of many highly influential choirs and choral composers, as well as an internationally-renowned system of music education. Prominent companies such as Sony (of &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt;) and Nokia (of &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Finland&lt;/st1:place&gt;&lt;/st1:country-region&gt;) also call for consideration, since in 2009 they became the first to offer unlimited music downloads on some mobile phones, enabling instant and free access to thousands of songs for the first time in history.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;span style=""&gt;    &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;Research Contacts:&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;The year 2009 marked the 90th anniversary of diplomacy between &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt; and &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Finland&lt;/st1:place&gt;&lt;/st1:country-region&gt;. According to &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt;'s Ministry of Foreign Affairs, "&lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt; and &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Finland&lt;/st1:place&gt;&lt;/st1:country-region&gt; have consistently maintained a friendly relationship, since the two countries established diplomatic relations in 1919, and exchanged diplomatic missions in 1921. In recent years, the relationship between &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt; and &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Finland&lt;/st1:place&gt;&lt;/st1:country-region&gt; has expanded steadily in not only the economic and trade areas, but also in the cultural and academic fields. &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt; concluded in 1978 a cultural agreement with &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Finland&lt;/st1:place&gt;&lt;/st1:country-region&gt;, which was the first of this kind among the Nordic countries."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;VocaLife has established contacts with the &lt;span style="font-style: italic;"&gt;Finnish Institute in &lt;/span&gt;&lt;st1:country-region style="font-style: italic;" st="on"&gt;Japan&lt;/st1:country-region&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;via the Embassy of Finland in &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Tokyo&lt;/st1:city&gt;&lt;/st1:place&gt;. In the coming months, grant applications will be proposed to obtain financial support for VocaLife research endeavors.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"   lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;br /&gt;&lt;a href="http://muka.siba.fi/fi/yhteystiedot/henkilokunta/david_hebert/"&gt;Professor David G. Hebert&lt;/a&gt; and &lt;a href="http://www.bu.edu/tanglewoodtwo/committee/ogawa/index.html"&gt;Professor Masafumi Ogawa&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="" lang="EN-GB"&gt;Principal Investigators&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="" lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;br /&gt;..................................................................................................&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Prospective Advisory Board: &lt;/b&gt;&lt;span style=""&gt;(to be confirmed)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;u1:p&gt;&lt;/u1:p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;a href="http://www.hbf.lv/index.php?&amp;amp;366&amp;amp;view=concert&amp;amp;concert_id=151"&gt;Chifuru Matsubara&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;a href="http://www.kampinlaulu.fi/en/Introduction/Conductor/"&gt;&lt;span style="" lang="EN-GB"&gt;Eric-Olof Söderström&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;br /&gt;&lt;p id="pnge"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;b&gt;Related Exploratory Study: &lt;/b&gt;&lt;/span&gt; &lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-size:100%;"&gt;Hebert, D. G., Odendaal, A. &amp;amp; Robertson, A. (in preparation). Not So Silent Night: An Ethnographic Study of &lt;i&gt;Joululaulut&lt;/i&gt; Performances in Helsinki.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="" lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/400443157999993621-5437715075596811421?l=vocalife.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/400443157999993621/posts/default/5437715075596811421'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/400443157999993621/posts/default/5437715075596811421'/><link rel='alternate' type='text/html' href='http://vocalife.blogspot.com/2009/10/vocalife-vision.html' title='The VocaLife Vision'/><author><name>Sociomusicology</name><uri>http://www.blogger.com/profile/09408859984544549259</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://3.bp.blogspot.com/_JaIF83-Q300/S1Zecbcd_6I/AAAAAAAAAHs/TrQtyh42KZQ/s1600-R/David.Hebert_Siba.90582.jpg'/></author></entry></feed>
